It charts the creative networks he engaged with while growing up in the area and offers deep insight into the vibrant cultural and literary activities that defined life there. Access more artwork lots and estimated & realized auction prices on MutualArt. Latiff Mohidin’s artistic practice is often linked to his literary activities He first became recognised as a poet when he published his collection of poems Sungai Mekong in 1971, which has since been translated into multiple languages. 1965 was both a formative and disruptive year, as Singapore separated from the Malaysian Federation, whilst Indonesia and the Philippines contested the very logic of segregating Peninsular Malaysia and North Borneo from its historical host, the Nusantara, the Malay world. He was quickly celebrated as a prodigy, and that very year saw him have a solo painting exhibition that year at the Kota Raja Malay School. Latiff Mohidin: Pago Pago (1960–1969) features over 70 paintings, drawings and prints, supplemented with archival documents, and situates him in dialogue with his European peers. Whilst he acknowledged the potency of ideological formations at the height of the Cold War, Pago Pago stood in opposition to overt doctrinal write. Latiff Mohidin returned to Southeast Asia in 1964 with the hope of reengaging with the region. Latiff Mohidin journeyed through these shifting political configurations, as he travelled extensively in the region rom 1964 to 1969. From Wikipedia, the free encyclopedia. Sign up for our newsletters to have the latest stories delivered straight to your inbox every week. The binary of East and West typically dominates the study of modern art, but National Gallery Singapore’s newest exhibition ‘Latiff Mohidin: Pago Pago’ challenges that by spotlighting the Malaysian painter-poet, whose works synthesise his experiences living around the world. Nov 18, 2014 - Pago-Pago, Bangkok (2); Artist: Latiff Mohidin; Year: 1964; Country: Malaysia; Medium: acrylic on brown paper; Dimensions: 26 x 19 cm The formative experience led him to integrate horns and serrated edges into his works and provided him with the title ‘Pago Pago:’ he cut the German word for pagoda (‘pagoden’) in half and repeated it to recall the rhythms of Malay poetry. 6 timeless bags for men that will never go out of style. It charts Mohidin’s personal and artistic journeys across the globe, from being discovered as an artist at age 12 in Singapore’s Kampong Glam; to training and developing ‘Pago Pago’ works in Berlin; and solidifying a regional aesthetic while travelling in Southeast Asia. 1938) Pago-Pago signed and dated 'Abdul Latiff 1969' (on the reverse) oil on canvas 84 x 110.5 cm. It grapples with the position of vernacular cosmopolitanism within the story of global modernism, which still defaults to Europe. Acquired directly from the artist by Graham McManaman Acquired from the above by the present owner. Latiff Mohidin lives and works in Penang Island, Malaysia. May 1969 would mark a turning point in Malaysia as sectarian violence broke out in Kuala Lumpur, leading to major shifts in the social contract with significant effects on cultural production. During my visit, which was on a free admission day, not many viewers stopped to examine the materials in the glass display, which themselves were rather small and the text hard to read. Horns and serrated edges are some of the most distinctive features of Mohidin’s Pago Pago paintings — evident in works like Pagoda II (1964) and Pago Pago II (1965). With each visual strand and poetic fragment, Latiff Mohidin offers a Pago Pago-esque life-world that measures time not in linear but cyclical flows. View Pago-Pago Series (1968) By Latiff Mohidin; Oil on canvas; 35 1/2 x 27 3/4 inches (90.2 x 70.5 cm); Signed; . After delivering the groundbreaking Pago-Pago (1964-69) and Mindscape (1973-74) series that exhilarated the Malaysian art scene then, Latiff reemerged a couple of years later with Langkawi. olo painting exhibition that year at the Kota Raja Malay School. It charts the creative networks he engaged with while growing up in the area and offers deep insight into the vibrant cultural and literary activities that defined life there. Latiff Mohidin ’s Pago Pago series was hailed as unique and exemplary the moment it appeared in public. Latiff met no such opposition when his Pago Pago paintings first hit the market. Curves mimic the upswept eaves of a Minangkabau house. Even at … 1444, oil on wood, 4’3” x 5’1”, Cathedral of Saint Peter, Geneva, Switzerland. Stephanie writes about food and culture. WEB DESIGN BY TOMMY NG, Kuala Lumpur International Photoawards 2019. The phrase in its title, “Pago Pago,” was coined by the artist to evoke the consciousness that emerged through these travels. ‘Latiff Mohidin: Pago Pago’ will be open to the public at National Gallery Singapore from 27 March to 27 September 2020. And the fact that it is Latiff makes it all the sweeter. Pagoda II, Pago Pago Series, 1964, Oil on canvas, 100 x 102.5 cm. Pago-Pago, Bangkok (1), a production of a split between a sketch and a painting of extraordinary vitality and force, exhibits Latiff's urgent and rapid brushstrokes. Most notably, it features Mohidin’s hand-drawn map of Kampong Glam as he experienced it, which he produced specially for this show. Lovell then adds found objects in an intuitive process that varies from piece to piece to create three-dimensional tableaux. Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online. Currently, she's on a quest to devour as much SingLit as possible. In literature, he won the pinnacle SEA … In this context, Latiff Mohidin’s 1961 encounter with a series of Thai and Khmer relics resembling pagoda forms at Dahlem’s Ethnological Museum of Berlin, from which the word “pagoden” and later “pago” emerged, needs emphasis. 2015-2021 © ILHAM GALLERY. This moment, which he evokes through the phrase “Pago Pago,” has found a significant place in writings on Southeast Asian art. This painting depicts the stories in the Bible about the lack of fishes being caught and Peter, the first disciple, failing to walk on water because he failed to believe. It’s an in-depth, biographical approach that immerses viewers in Mohidin’s spirited life, astute worldview, and vivid visual and written works. 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The thick, controlled brushstrokes in sprawling paintings like Provoke (1965) and the free verse of his poetry grew to recall everything from the temples of Angkor and Balinese dance to ginger roots and bamboo … The aim was to invert the previous generation’s initial response to European modernism, which had been largely premised upon resisting the colonial. But most notably, it was in the city’s ethnographic museums he encountered the Thai and Khmer objects that would form the foundation of his ‘Pago Pago’ works. Oil on canvas. Upon his return to Southeast Asia in 1964, Latiff Mohidin embarked on an extensive journey through Indochina and the Malay world, establishing affinities and conversations with avant-garde artists and intellectuals of the time. Pago Pago: Latiff Mohidin (1960-1969) opens on February 28 at its In-Focus Gallery. The historical backdrop for this exhibition is the early 1960s, when Latiff Mohidin began his formal art training at the Hochschule für Bildende Künste in West Berlin. but National Gallery Singapore’s newest exhibition ‘Latiff Mohidin: Pago Pago’ challenges that by spotlighting the Malaysian painter-poet, whose works synthesise his experiences living around the world. We honestly can't decide either, The best way of experiencing any new phone is by g, @louisvuitton has just named tennis champion @naom, Since we can't travel (yet), our mid-week break in. In 1969, Latiff Mohidin was awarded the French Ministy of Culture Scholarship to study etching in Paris at the Atelier Lacourière-Frélaut, followed by the John D. Rockefeller III Grant for a residency at the Pratt Institute in New York. To understand Pago Pago is also to understand Latiff Mohidin. Latiff Mohidin’s life work has been discussed extensively within national and, to some extent, regional frameworks, yet his contribution to global modernism remains understudied. Abdul Latiff Mohidin or simply Latiff Mohidin (born 1941) is a Malaysian modernist painter, sculptor and poet. Concentrating on pieces created during a particularly memorable decade in his life, Latiff Mohidin: Pago Pago (1960-1969) is also the culmination of the National Gallery Singapore’s long-standing efforts in promoting Southeast Asian art globally. The Pago-Pago is an artwork produced by Abdul Latiff Mohidin in 1964, a prolific abstract painter and poet from Negeri Sembilan. Prices and auction sale details for pago pago, Painting by artist Abdul Latiff MOHIDIN For full functionality of this site it is necessary to enable JavaScript. (1965) and the free verse of his poetry grew to recall everything from the temples of Angkor and Balinese dance to ginger roots and bamboo rhizomes. LATIFF MOHIDIN (b. ABDUL LATIFF MOHIDIN (Malaysian, B. Latiff Mohidin (1941), born in Negeri Sembilan, Malaysia completed his primary education in Singapore. Discover (and save!) His passion for painting and drawing was evident from an early age and after his first exhibition at the Kota Raja Malay School in Singapore, he came to be identified as “the magical boy with the gift in his hands.” In 1960, Latiff Mohidin was awarded the Deutscher Akademischer Austauschdienst (DAAD) scholarship to study at the Hochschule für Bildende Künste in West Berlin, Germany. These finance apps can help you manage your money better, How Latiff Mohidin’s ‘Pago Pago’ paintings bridge European and Southeast Asian modernism. PROVOKE, 1965, Acrylic on board, 90 x 120 cm. The 70s saw Mohidin move on to the Mindscape series of abstract works, and subsequently the Gelombang series in the 80s, based on the energy and … (43 3/4 x 48 in.) Latiff is also a highly accomplished literary translator. His artworks have been exhibited worldwide in over 30 solo exhibitions, including in Berlin, New York, London, Osaka, Sydney and Sao Paulo. As a painter, Latiff has redefined Malaysian visual arts with series such as “Pago-Pago”, “Mindscape” and “Langkawi”. How does one advance the mediums of painting, drawing and writing to suit local milieus? His Pago-Pago expressionist paintings have been his signature series which have already been seen across the world. The artist became increasingly enigmatic, activating a Minangkabau sensibility encountered during his rural upbringing in British Malaya. Many of these thoughts are reflected in GARIS Latiff Mohidin dari titik ke titik (LINE Latiff Mohidin from point to point), a work of immense literary prowness that was first published in 1988. Latiff Mohidin comes from Negeri Sembilan in Lenggeng but he actually started his education in Singapore. It includes an entirely new section with works he made during the 1950s in Singapore. But Singaporeans too enjoy a link with the artist who had once called … Latiff Mohidin sought out a different enterprise: to open a new sphere in what he calls the “region-intellectual” could find form. ICYMI, the @shondarhimes-directed @bridgertonnetfl, Could whisky aged in sakura wood be the next big t, Just In: London-based fashion designer @simoneroch, Jazzing into the weekend like @fendi and @juilliar, @samsung_sg's latest Galaxy S21 series caters to y, With an array of dining and shopping options, don', Subtle or sizable? Provenance Anon. 1941) is Malaysia’s leading modernist painter and poet. 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Prior to showing in Singapore, the exhibition previously travelled to the Centre Pompidou in Paris and ILHAM, It charts Mohidin’s personal and artistic journeys across the globe, from being discovered as an artist at age 12 in Singapore’s Kampong Glam; to training and developing ‘Pago Pago’ works in, Latiff Mohidin’s hand-drawn map of Kampong Glam. Access more artwork lots and estimated & realized auction prices on MutualArt. “I was asked to write something magical,” … Latiff Mohidin’s literary and painterly world is also heavily informed by the writings of Jorge Luis Borges, Chairil Anwar and Johann Wolfgang von Goethe amongst others. Jump to navigation Jump to search. Latiff Mohidin: Pago Pago (1960–1969) traces a formative period in the artist’s practice during the 1960s as he journeyed across Europe and Southeast Asia. The phrase in its title, “Pago Pago,” was coined by the artist to evoke the consciousness that emerged through these travels. It was seen as a compelling family of pictures in 1973, when the Balai Seni Lukis Negara (as it was then known) staged a retrospective exhibition of the artist in Kuala Lumpur, spanning about 20 years of his art. Lovell gives careful thought to the grain and texture of each surface as well as to any remnants of color from paint or wallpaper, making the background for each drawing as unique as the person depicted. What is skinimalism and why should you get on it? Latiff Mohidin: Pago Pago (1960-1969) traces a formative period in the artist’s practice during the 1960s as he journeyed across Europe and Southeast Asia. Emblematic of these formative times is his hand-drawn map of Kampong Glam, which is exclusive to the Singapore leg of the exhibition. Yet, Berlin also initiated Latiff Mohidin into the burgeoning debates of the time within German art circles, especially how the pre-War German self could be recovered and the evolving concerns surrounding modern art’s use of the so-called primitive image. He was accorded a major Retrospective by Malaysia’s National Art Gallery, Kuala Lumpur, in 2012-2013. May 19, 2014 - Konrad Witz, Miraculous Drought of Fishes (Christ Walking on Water), ca. Seen as a step toward addressing this gap, this catalogue seeks to position Mohidin within Berlin art circles of the 1960s, and unravel what could be contingently described as painting from within the tradition. Painted in 1969 Provenance. She has a soft spot for the visual and literary arts and can be found at the latest exhibition openings. Pago Pago, 1966, Ink and wash on paper, 13.6 x 21.5 cm. The show takes its name from the phrase ‘Pago Pago,’ which was coined by Mohidin himself to evoke the consciousness that emerged from his travels. 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